the recent body of work, “position papers”, engages the instability and complexity of the contemporary world, by way of a serial approach to the image that hybridizes the languages of drawing and painting. the images are autonomous, whole on their own terms, and yet function together in a de-centered dialogue, maybe even an argument, in which structures fight for stability within fields of color and light, forms emerge and wane, in a search for a language to embody the world. choberka's address to the issues of power, conflict, and uncertainty are, and must be, allusive and metaphoric, as well as discursive.

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